Train in Vain by The Clash
Train in Vain by The Clash runs at 122 BPM in the key of A major. The prompt below describes those musical characteristics for Suno without naming the record.
This analysis has not been checked by a person. Tempo, key, and genre come straight from the software, so treat them as a starting point and trust your ears.
Measured
- Tempo
- 122 BPM
- Key
- A major
- Length
- 3:15
- Genre
- punk
- Mood
- restless
- Vocals
- Vocal
Suno prompt
A restless punk track blending disco with explosive energy and a swung feel at 122 BPM. The low end is electric bass playing root-note anchored, under an acoustic drum kit with a rimshot-forward snare and washy crash-led cymbals. Clean electric guitar carries the harmony, fingerpicked. The arrangement follows intro-verse-chorus-outro. A warm male vocal delivers a smooth and melismatic performance. Vinyl crackle adds texture, with a slapback delay on the vocal. Mixed in a lo-fi and saturated style, foregrounding melodic lead and vocal clarity, built on chromatic and shifting chords, leaving a calm and settled atmosphere.
Paste this into Suno's style field. It describes the sound only — adjust anything that does not match what you are after.
What the analysis found
- Bass instrument
- electric bass
- Bassline style
- root-note anchored
- Tempo
- 122
- Chords
- chromatic and shifting
- Cymbals
- washy crash-led cymbals
- Energy
- explosive
- Atmosphere
- calm and settled
- Genre
- punk
- Second genre
- disco
- Harmonic instrument
- clean electric guitar
- Harmonic style
- fingerpicked
- Mixing style
- lo-fi and saturated
- Mood
- restless
- Percussion
- an acoustic drum kit
- Rhythmic style
- swung
- Snare
- rimshot-forward
- Sonic focus
- melodic lead
- Secondary focus
- vocal clarity
- Space
- a slapback delay
- Structure
- intro-verse-chorus-outro
- Textural detail
- vinyl crackle
- Vocal style
- smooth and melismatic
- Vocal
- a warm male vocal
About this page
This is an independent acoustic analysis. Tempo and key are measured from the audio; instrumentation and production characteristics are classified against a fixed vocabulary. The source recording is deleted once the analysis finishes, and no lyrics from it are stored.
Planetary Records is not affiliated with The Clash. The prompt describes musical characteristics and does not reproduce the recording.
