Straight to Hell by The Clash
Straight to Hell by The Clash runs at 91 BPM in the key of D major. The prompt below describes those musical characteristics for Suno without naming the record.
This analysis has not been checked by a person. Tempo, key, and genre come straight from the software, so treat them as a starting point and trust your ears.
Measured
- Tempo
- 91 BPM
- Key
- D major
- Length
- 5:31
- Genre
- orchestral pop
- Mood
- tender
- Vocals
- Vocal
Suno prompt
A tender orchestral pop track with explosive energy and a broken-beat feel at 91 BPM. The low end is electric bass playing root-note anchored, under an acoustic drum kit with a rimshot-forward snare and sizzling cymbals. Clean electric guitar carries the harmony, fingerpicked. The arrangement follows intro-verse-chorus-outro. A warm male vocal delivers a smooth and melismatic performance. Subtle bitcrush adds texture, with a slapback delay on the vocal. Mixed in a lo-fi and saturated style, foregrounding vocal clarity and melodic lead, built on chromatic and shifting chords, leaving a tense and coiled atmosphere.
Paste this into Suno's style field. It describes the sound only — adjust anything that does not match what you are after.
What the analysis found
- Bass instrument
- electric bass
- Bassline style
- root-note anchored
- Tempo
- 91
- Chords
- chromatic and shifting
- Cymbals
- sizzling cymbals
- Energy
- explosive
- Atmosphere
- tense and coiled
- Genre
- orchestral pop
- Harmonic instrument
- clean electric guitar
- Harmonic style
- fingerpicked
- Mixing style
- lo-fi and saturated
- Mood
- tender
- Percussion
- an acoustic drum kit
- Rhythmic style
- broken-beat
- Snare
- rimshot-forward
- Sonic focus
- vocal clarity
- Secondary focus
- melodic lead
- Space
- a slapback delay
- Structure
- intro-verse-chorus-outro
- Textural detail
- subtle bitcrush
- Vocal style
- smooth and melismatic
- Vocal
- a warm male vocal
About this page
This is an independent acoustic analysis. Tempo and key are measured from the audio; instrumentation and production characteristics are classified against a fixed vocabulary. The source recording is deleted once the analysis finishes, and no lyrics from it are stored.
Planetary Records is not affiliated with The Clash. The prompt describes musical characteristics and does not reproduce the recording.