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Terminator X To The Edge Of Panic by Public Enemy

Terminator X To The Edge Of Panic by Public Enemy runs at 102 BPM in the key of G# minor. The prompt below describes those musical characteristics for Suno without naming the record.

This analysis has not been checked by a person. Tempo, key, and genre come straight from the software, so treat them as a starting point and trust your ears.

Measured

Tempo
102 BPM
Key
G# minor
Length
4:32
Genre
boom-bap hip hop
Mood
restless
Vocals
Vocal

Suno prompt

A restless boom-bap hip hop track blending funk with high energy and a broken-beat feel at 102 BPM. The low end is electric bass playing root-note anchored, under a programmed drum machine with a tight and dry snare and sizzling cymbals. Warm analog pads carry the harmony, rhythmic stabs. The arrangement follows intro-verse-chorus-outro. A gritty male vocal delivers a rhythmic and percussive performance. Analog hiss adds texture, with a slapback delay on the vocal. Mixed in a lo-fi and saturated style, foregrounding vocal clarity and low-end weight, built on chromatic and shifting chords, leaving a tense and coiled atmosphere.

Paste this into Suno's style field. It describes the sound only — adjust anything that does not match what you are after.

What the analysis found

Bass instrument
electric bass
Bassline style
root-note anchored
Tempo
102
Chords
chromatic and shifting
Cymbals
sizzling cymbals
Energy
high
Atmosphere
tense and coiled
Genre
boom-bap hip hop
Second genre
funk
Harmonic instrument
warm analog pads
Harmonic style
rhythmic stabs
Mixing style
lo-fi and saturated
Mood
restless
Percussion
a programmed drum machine
Rhythmic style
broken-beat
Snare
tight and dry
Sonic focus
vocal clarity
Secondary focus
low-end weight
Space
a slapback delay
Structure
intro-verse-chorus-outro
Textural detail
analog hiss
Vocal style
rhythmic and percussive
Vocal
a gritty male vocal

About this page

This is an independent acoustic analysis. Tempo and key are measured from the audio; instrumentation and production characteristics are classified against a fixed vocabulary. The source recording is deleted once the analysis finishes, and no lyrics from it are stored.

Planetary Records is not affiliated with Public Enemy. The prompt describes musical characteristics and does not reproduce the recording.

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