Nobody Knows the Trouble I've Seen by Mahalia Jackson
Nobody Knows the Trouble I've Seen by Mahalia Jackson runs at 120 BPM in the key of A# major. The prompt below describes those musical characteristics for Suno without naming the record.
This analysis has not been checked by a person. Tempo, key, and genre come straight from the software, so treat them as a starting point and trust your ears.
Measured
- Tempo
- 120 BPM
- Key
- A# major
- Length
- 3:46
- Genre
- gospel
- Mood
- tender
- Vocals
- Vocal
Suno prompt
A tender gospel track with high energy and a swung feel at 120 BPM. The low end is upright bass playing root-note anchored, under an acoustic drum kit with a tight and dry snare and sparse dark cymbals. Grand piano carries the harmony, block chords. The arrangement follows intro-verse-chorus-outro. A full-voiced female vocal delivers a smooth and melismatic performance. Analog hiss adds texture, with a wide stereo chorus on the vocal. Mixed in a clean and spacious style, foregrounding vocal clarity and low-end weight, built on chromatic and shifting chords, leaving a tense and coiled atmosphere.
Paste this into Suno's style field. It describes the sound only — adjust anything that does not match what you are after.
What the analysis found
- Bass instrument
- upright bass
- Bassline style
- root-note anchored
- Tempo
- 120
- Chords
- chromatic and shifting
- Cymbals
- sparse dark cymbals
- Energy
- high
- Atmosphere
- tense and coiled
- Genre
- gospel
- Harmonic instrument
- grand piano
- Harmonic style
- block chords
- Mixing style
- clean and spacious
- Mood
- tender
- Percussion
- an acoustic drum kit
- Rhythmic style
- swung
- Snare
- tight and dry
- Sonic focus
- vocal clarity
- Secondary focus
- low-end weight
- Space
- a wide stereo chorus
- Structure
- intro-verse-chorus-outro
- Textural detail
- analog hiss
- Vocal style
- smooth and melismatic
- Vocal
- a full-voiced female vocal
About this page
This is an independent acoustic analysis. Tempo and key are measured from the audio; instrumentation and production characteristics are classified against a fixed vocabulary. The source recording is deleted once the analysis finishes, and no lyrics from it are stored.
Planetary Records is not affiliated with Mahalia Jackson. The prompt describes musical characteristics and does not reproduce the recording.