Chase the Devil by Lee "Scratch" Perry
Chase the Devil by Lee "Scratch" Perry runs at 154 BPM in the key of A major. The prompt below describes those musical characteristics for Suno without naming the record.
This analysis has not been checked by a person. Tempo, key, and genre come straight from the software, so treat them as a starting point and trust your ears.
Measured
- Tempo
- 154 BPM
- Key
- A major
- Length
- 3:20
- Genre
- reggae
- Mood
- brooding
- Vocals
- Instrumental
Suno prompt
A brooding reggae track with high energy and a syncopated feel at 154 BPM. The low end is electric bass playing root-note anchored, under an acoustic drum kit with a brushed snare and washy crash-led cymbals. Organ carries the harmony, rhythmic stabs. The arrangement follows intro-verse-chorus-outro. A lead synth leads, building through repetition. Subtle bitcrush adds texture, with a dub-style tape delay on the lead. Mixed in a open and dynamic style, foregrounding atmospheric space and low-end weight, built on chromatic and shifting chords, leaving a tense and coiled atmosphere.
Paste this into Suno's style field. It describes the sound only — adjust anything that does not match what you are after.
What the analysis found
- Bass instrument
- electric bass
- Bassline style
- root-note anchored
- Tempo
- 154
- Chords
- chromatic and shifting
- Cymbals
- washy crash-led cymbals
- Energy
- high
- Atmosphere
- tense and coiled
- Genre
- reggae
- Harmonic instrument
- organ
- Harmonic style
- rhythmic stabs
- Lead instrument
- a lead synth
- Lead style
- building through repetition
- Mixing style
- open and dynamic
- Mood
- brooding
- Percussion
- an acoustic drum kit
- Rhythmic style
- syncopated
- Snare
- brushed
- Sonic focus
- atmospheric space
- Secondary focus
- low-end weight
- Space
- a dub-style tape delay
- Structure
- intro-verse-chorus-outro
- Textural detail
- subtle bitcrush
About this page
This is an independent acoustic analysis. Tempo and key are measured from the audio; instrumentation and production characteristics are classified against a fixed vocabulary. The source recording is deleted once the analysis finishes, and no lyrics from it are stored.
Planetary Records is not affiliated with Lee "Scratch" Perry. The prompt describes musical characteristics and does not reproduce the recording.
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