Rana Ji 2.0 by Tanishk Bagchi
Rana Ji 2.0 by Tanishk Bagchi runs at 120 BPM in the key of G minor. The prompt below describes those musical characteristics without naming the record.
Measured
- Tempo
- 120 BPM
- Key
- G minor
- Length
- 3:49
- Genre
- synth-pop
- Mood
- euphoric
- Vocals
- Vocal
This analysis has not been checked by a person. Tempo, key, and genre come straight from the software, so treat them as a starting point and trust your ears.
The prompt
A euphoric synth-pop track blending disco with explosive energy and a straight four-on-the-floor feel at 120 BPM. The low end is electric bass playing root-note anchored, under a hybrid electronic kit with a tight and dry snare and washy crash-led cymbals. Warm analog pads carry the harmony, sustained and washy. The arrangement follows verse-chorus with a bridge. A full-voiced female vocal delivers a layered in close harmony performance. Subtle bitcrush adds texture, with a slapback delay on the vocal. Mixed in a open and dynamic style, foregrounding vocal clarity and low-end weight, built on chromatic and shifting chords, leaving a euphoric and open atmosphere.
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What the analysis found
- Bass instrument
- electric bass
- Bassline style
- root-note anchored
- Tempo
- 120
- Chords
- chromatic and shifting
- Cymbals
- washy crash-led cymbals
- Energy
- explosive
- Atmosphere
- euphoric and open
- Genre
- synth-pop
- Second genre
- disco
- Harmonic instrument
- warm analog pads
- Harmonic style
- sustained and washy
- Mixing style
- open and dynamic
- Mood
- euphoric
- Percussion
- a hybrid electronic kit
- Rhythmic style
- straight four-on-the-floor
- Snare
- tight and dry
- Sonic focus
- vocal clarity
- Secondary focus
- low-end weight
- Space
- a slapback delay
- Structure
- verse-chorus with a bridge
- Textural detail
- subtle bitcrush
- Vocal style
- layered in close harmony
- Vocal
- a full-voiced female vocal
About this page
This is an independent acoustic analysis. Tempo and key are measured from the audio; instrumentation and production characteristics are classified against a fixed vocabulary. The source recording is deleted once the analysis finishes, and no lyrics from it are stored. The measurements and classifications are automated estimates, so use them as a starting point and trust your ears.
Planetary Records is not affiliated with Tanishk Bagchi. The prompt describes musical characteristics and does not reproduce the recording.