Can't Truss It by Public Enemy
Can't Truss It by Public Enemy runs at 102 BPM in the key of D# minor. The prompt below describes those musical characteristics without naming the record.
Measured
- Tempo
- 102 BPM
- Key
- D# minor
- Length
- 5:22
- Genre
- boom-bap hip hop
- Mood
- tender
- Vocals
- Vocal
This analysis has not been checked by a person. Tempo, key, and genre come straight from the software, so treat them as a starting point and trust your ears.
The prompt
A tender boom-bap hip hop track blending funk with explosive energy and a broken-beat feel at 102 BPM. The low end is electric bass playing root-note anchored, under a programmed drum machine with a clap-layered snare and washy crash-led cymbals. Warm analog pads carry the harmony, fingerpicked. The arrangement follows verse-chorus. A gritty male vocal delivers a rhythmic and percussive performance. Analog hiss adds texture, with a slapback delay on the vocal. Mixed in a lo-fi and saturated style, foregrounding vocal clarity and low-end weight, built on chromatic and shifting chords, leaving a tense and coiled atmosphere.
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What the analysis found
- Bass instrument
- electric bass
- Bassline style
- root-note anchored
- Tempo
- 102
- Chords
- chromatic and shifting
- Cymbals
- washy crash-led cymbals
- Energy
- explosive
- Atmosphere
- tense and coiled
- Genre
- boom-bap hip hop
- Second genre
- funk
- Harmonic instrument
- warm analog pads
- Harmonic style
- fingerpicked
- Mixing style
- lo-fi and saturated
- Mood
- tender
- Percussion
- a programmed drum machine
- Rhythmic style
- broken-beat
- Snare
- clap-layered
- Sonic focus
- vocal clarity
- Secondary focus
- low-end weight
- Space
- a slapback delay
- Structure
- verse-chorus
- Textural detail
- analog hiss
- Vocal style
- rhythmic and percussive
- Vocal
- a gritty male vocal
About this page
This is an independent acoustic analysis. Tempo and key are measured from the audio; instrumentation and production characteristics are classified against a fixed vocabulary. The source recording is deleted once the analysis finishes, and no lyrics from it are stored. The measurements and classifications are automated estimates, so use them as a starting point and trust your ears.
Planetary Records is not affiliated with Public Enemy. The prompt describes musical characteristics and does not reproduce the recording.