Epitaph - Including "March for No Reason" and "Tomorrow and Tomorrow" by King Crimson
Epitaph - Including "March for No Reason" and "Tomorrow and Tomorrow" by King Crimson runs at 133 BPM in the key of B minor. The prompt below describes those musical characteristics without naming the record.
Measured
- Tempo
- 133 BPM
- Key
- B minor
- Length
- 8:47
- Genre
- post-rock
- Mood
- tender
- Vocals
- Vocal
This analysis has not been checked by a person. Tempo, key, and genre come straight from the software, so treat them as a starting point and trust your ears.
The prompt
A tender post-rock track blending indie rock with driving energy and a swung feel at 133 BPM. The low end is electric bass playing root-note anchored, under an acoustic drum kit with a rimshot-forward snare and sparse dark cymbals. Clean electric guitar carries the harmony, fingerpicked. The arrangement follows intro-verse-chorus-outro. A warm male vocal delivers a smooth and melismatic performance. Analog hiss adds texture, with a wide stereo chorus on the vocal. Mixed in a lo-fi and saturated style, foregrounding harmonic warmth and melodic lead, built on suspended chords, leaving a calm and settled atmosphere.
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What the analysis found
- Bass instrument
- electric bass
- Bassline style
- root-note anchored
- Tempo
- 133
- Chords
- suspended
- Cymbals
- sparse dark cymbals
- Energy
- driving
- Atmosphere
- calm and settled
- Genre
- post-rock
- Second genre
- indie rock
- Harmonic instrument
- clean electric guitar
- Harmonic style
- fingerpicked
- Mixing style
- lo-fi and saturated
- Mood
- tender
- Percussion
- an acoustic drum kit
- Rhythmic style
- swung
- Snare
- rimshot-forward
- Sonic focus
- harmonic warmth
- Secondary focus
- melodic lead
- Space
- a wide stereo chorus
- Structure
- intro-verse-chorus-outro
- Textural detail
- analog hiss
- Vocal style
- smooth and melismatic
- Vocal
- a warm male vocal
About this page
This is an independent acoustic analysis. Tempo and key are measured from the audio; instrumentation and production characteristics are classified against a fixed vocabulary. The source recording is deleted once the analysis finishes, and no lyrics from it are stored. The measurements and classifications are automated estimates, so use them as a starting point and trust your ears.
Planetary Records is not affiliated with King Crimson. The prompt describes musical characteristics and does not reproduce the recording.